'All the characters came to me in my dreams,' she explained, but she delighted in the chance to step into the scenes for real: 'after all, it's not often you get to stand beside an eight foot princess in the rain, or witness the dawn with a dancing circus girl on stilts!'
The resulting images looked so hyper-real that it was assumed that they were created in Photoshop. Many people believed the photographs were shot all around the world, when in reality they were taken in locations within short drives of her Surrey home.
So Kirsty began to write diary accounts and blog behind-the-scenes shots about the creation of each photograph. ‘My aim was to portray time passing, an unsaid journey through four seasons, incorporating every colour in the rainbow.
As things progressed, her costumes became more elaborate with the props and new characters often taking up to five months to create. ‘The project blossomed into our own private playground,’ she said.
Her three year labour of love is now almost complete and there are plans for an exhibition and accompanying book: ‘I just know that the day I see my mother’s name printed on the inside cover of the Wonderland book, it will feel like I have finally fulfilled my promise to myself and her precious memory.’
'This escapism grew into the concept of creating an unexplained storybook without words, dedicated to her [my mother], that would echo the fragments of the fairytales she read to me constantly as a child.'
Kirsty, 36, who has a background in fashion and costume design, collaborated with hair and make-up artist Elbie Van Eeden.
Both were in full time jobs so they spent evenings and weekends creating props, wigs, and sets on a shoestring budget and shot in the woodlands surrounding Kirsty’s home in Surrey.
Kirsty developed a deep bond and respect for the locations in which she was working and strove, through her pictures, to ‘remind others of their forgotten magic and beauty’.
She became fascinated with pockets of wild flowers such as the bluebells that would appear for only a few brief weeks of the year. In some cases, she would wait a full 12 months so she could shoot costumes matched to the vivid colours of nature.